On Top of the World with Kyndacee Harris

Posted by: . Posted on: December 11, 2024 Comments: 0

Kyndacee Harris is busy painting, otherwise I’d ask her to run for office. She had me at first glance—a painting of her own elementary school drill team—and again when I looked her up and found this quote: “To see more of my work, send me money to buy a computer.”

Anthony Cudahy: The Inflections of Somebody

Posted by: . Posted on: December 9, 2024 Comments: 0

It begins with a space. The original, creaking floors of GRIMM’s Tribeca space brings out something special in the viewing of Anthony Cudahy’s paintings, a show I wanted to see before speaking with the artist on the brink of another show, his museum show, Spinneret, opening at the Green Family Art Foundation this fall. Cudahy paints emotion and something quite moody, and when you circle the gallery, the timeworn floorboards…

Miles Johnston “Liminality” @ Harman Projects, NYC

Posted by: . Posted on: December 9, 2024 Comments: 0

Harman Projects is pleased to announce Liminality, the latest solo exhibition by Miles Johnston. Following his last exhibition over six years ago, this new body of work features drawings in graphite and ink as well as paintings in oil and watercolor, highlighting the artist’s eclectic range.

ZEPHYR: Graffiti Blackbook/Scrapbook 1978 And Beyond

Posted by: . Posted on: November 26, 2024 Comments: 0

The beautiful part of graffiti is that it’s such an ephemeral art form; most of its greatest works only lasted days, if not hours. But the archives are rich, and what remains are historic and essential. ZEPHYR, one of the most influential graff artists of NYC, kept a scrapbook that would become pivotal to the history of the graffiti, and weighing 7 pounds with 243 full-color pages, ZEPHYR: Graffiti Blackbook/Scrapbook…

New Book: Amos Paul Kennedy, Jr.: Citizen Printer

Posted by: . Posted on: November 20, 2024 Comments: 0

Internationally known for his type-driven messages of social justice, equality, and Black power, Amos Paul Kennedy, Jr. is both a poet and printer. For Amos, language functions as action, and he has spent a career making words move. Currently operating the letterpress print shop Kennedy Prints! in Detroit, Letterform Archive has just released this vital and timely monograph, Citizen Printer, with more than 800 reproductions representing the breadth of Kennedy’s…

Chris Ware’s Third and Final Sketchbook Series is Here with “Acme Novelty Datebook: Volume Three”

Posted by: . Posted on: November 18, 2024 Comments: 0

Our friends at Drawn & Quarterly just released a very special installment (the third and final) of past Juxtapoz cover artist Chris Ware’s Acme Novelty Datebook Volume 3, spanning the years 2002-2023. Ware has long been one of the most celebrated and influential comic and storytellers of his time, and this is a brilliant collection to see the genesis of his ideas and character development.

David Byrd: Bad jobs can produce very good pictures

Posted by: . Posted on: November 6, 2024 Comments: 0

Anton Kern Gallery is pleased to present an exhibition of works by David Byrd (1926 – 2013) coinciding with the release of Volume 1 of the late American artist’s catalogue raisonné. Occupying the third floor gallery, this presentation aims to illuminate the interconnections between Byrd’s paintings, drawings, and assemblage sculptures, and provide a glimpse into his creative process. Special attention is paid to the portraits Byrd sketched on notepaper while on the job and painted years…

Recap: Aftershock Music Festival 2024

Posted by: . Posted on: October 15, 2024 Comments: 0

We always have a blast at the Aftershock Music Festival, and this year was no different. Held over four days this last weekend from October 10-13, and drawing a record-breaking crowd of somewhere around 160,000 attendees, the festival has become a gigantic success.

HUSKMITNAVN: A New Day @ V1 Gallery, Copenhagen

Posted by: . Posted on: October 11, 2024 Comments: 0

There is something so comforting about a HUSKMITNAVN show at V1 Gallery. Not that the work is comfortable, but that you know HUSKMITNAVN will paint about domestic life in a way that feels relatable, or create a collective sense of anxiety and humor in his illustrations. It’s comforting because you know he has an eye out for us, he’s paying attention, he gets it, he gets what is going on…